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    ARTIST'S RESUME KATHRYN COOK HERNANDEZ Kathryn Cook Hernandez, a native of Urich, Missouri, (recently returned from San Pedro Sula, Honduras) began her artistic career in 1980 after a dynamic and inspiring figure drawing course at a local community college.  Her artistic trajectory has been inspired by artists that include classical masters as well as modern and post-modern artists, from Rembrandt to O'Keefe and Jasper Johns, John Wiley.  The artist has worked in various mediums, such as...

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    ARTIST'S RESUME

    KATHRYN COOK HERNANDEZ

    Kathryn Cook Hernandez, a native of Urich, Missouri, (recently returned from San Pedro Sula, Honduras) began her artistic career in 1980 after a dynamic and inspiring figure drawing course at a local community college.  Her artistic trajectory has been inspired by artists that include classical masters as well as modern and post-modern artists, from Rembrandt to O'Keefe and Jasper Johns, John Wiley.  The artist has worked in various mediums, such as oil, watercolor, graphite, charcoal, pastel, ceramics and sculpture and currently mixed medias.  The artist has, also, been an art educator in The Escuela Internacional SanPedrana, a bilingual school in Honduras.

    EDUCATION

    Masters of Education                             Framingham State College, Framingham, Mass,  2004

    Bachelors in Interior Design                 University of Central Missouri,Warrensburg, Mo.  1967-1971

    Courses in Drawing and Painting         Johnson County Community College,Overland Park, Ks  1980-1981

    EXHIBITIONS

     

    University of Central Missouri, 1971

    Johnson County Community College, 1981

    Centro Cultural Sampedrana Honduras, 1996

    "Interpretacions de 7 Mujeres", Centro Social Hondureno Arabe, Honduras, 1996

    Hotel Copant'l, Honduras, 1996

    Jardin Del Arte, Museo de Antropoligia, Honduras, 1996

    Exposicion de Pinture Artisitica y Esculture, El Ahorro Hondureno, Honduras, 1997

    Expo USA, Honduras, 1997

    "La Mujer Pinta", Salon Consistorial de La Municipalidad, Honduras, 1998

    Parque de Las Americas, Honduras, 1998, 1999

    Arte Contemporaneo, Centro Cultural Sampedrana, Honduras, 1999

    Casa De La Artista, Honduras, 1999

    Guadalupe Center, San Antonio, Texas, 1999

    Arte del Pais, Banco Del Pais, Honduras, 1999

    "Leyendo una Historia de Mujeres", Instituto Hondureno de Cultura Interamericana, Tegucigalpa and San Pedro Sula, Honduras, 2000

    "Mujeres...Pintura & Poesia", Central Cultural Sampedrana, Honduras, 2001

    Stage Set "The Four Seasons", CC Dance Ballet, Honduras, 2001

    "Tres Formas, Un Punto", Central Cultural Sampedrana, 2001

    Salon del Instituto Hondureno de Cultura Interamerican, Tegucigalpa, Honduras, 2002

    Opus Gallery, Baon Rouge, Louisiana, 2002

    Exposicion "El Arte Y la Paz en Honduras", Banco del Pais, Honduras, 2003, 2004

    Salon Nacional de Arte, Centro Cultural Sampedrano, 2003, 2005, 2007, 2009

     

    COLLECTIONS

     

    Adolfo and Laura Martinez, Honduras

    Carlin Raffi, Honduras

    Joan Martinez, Honduras

    Leticia de Peters, Honduras

    Jose Zuniga, Honduras

    Myrna de Castro, Honduras

    Marluce Morales, Honduras

    Sala de las Americas, Aeropuerto San Pedro Sula, Honduras

    Marco Medina Guillen, Honduras

    Max Cooper,  Missouri, USA

    Walton Y Eunice Orizola, Honduras

    Gabrielle Popovich, Indiana, USA

    Dr. Antonio C. Petrelli, Jesi, Italia

    Christopher Wittwer, Honduras

    Brian Briamonte, Louisiana, USA

    Dra, Giovanna Moina, Honduras

    Scott Blume, Pennsylvania

     

    AWARDS

    Honorable Mention, Salon Nacional de Arte, Centro Cultural Sampedrana, 2005

    ASSOCIATIONS

    Member, AMAH, Association of Womem Artists of Honduras, San Pedro Sula

    Member, AHAVI, Honduran Association of Visual Authors

    ARTIST STATEMENT

    All forms contain a shared spirit separated from eternity by a thin ephemeral line: held within by their physicality.  Through the arts, the search for essence of being, nonetheless, elusive in its iridescent like quality, is pursued.  This implies that nothing is clear and easily perceived.  All is changeable, integrating ultimately, as part of a common spirit.

    Individuals cannot restrain this evolution of spirit, neither their own nor others, and finally, can only respond with empathy to the human condition.

    Paradoxically, the thin line, expresses all, the spirit within and the form without.

     

     

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